Glenn Greenwald’s position on the Trump collusion story is one that I entirely agree with. Donald Trump is a horrible individual but there is no evidence that he colluded with the Russians to win the presidency or that he is serving Russian interests because the Russians hold compromising information on him. Cenk Uygur held the view that there was collusion but is backing away from that now that the Muller investigation has found no evidence of such collusion. Cenk continues to hold the view that there are past and present ties between Trump and Russian oligarchs that could influence Trump’s decision making. When Greenwald points out that Trump has taken actions that are very hostile towards Russia, Cenk points to meetings between Trump and Putin whose content Trump has refused to publish and suggests that Trump does not know what will harm Russia unless Putin makes it explicit to him. This is clearly absurd. and it genuinely puzzles me that intelligent people like Cenk Uyger can maintain absurdities and continue to endorse narratives that have no grounding in evidence and are even contradicted by evidence and argument.
Mozart will never seem old.
On Monday evening we saw the musical ‘Hair’ at the New Wimbledon Theatre. I liked the energy of the cast. The dancing was fine and there were the two songs – Age of Aquarius and Good Morning Starshine – but it seemed so dated, and the nudity moment, presumably shocking once, seemed twee and irrelevant.
Sandy and I went to church today and then travelled via the riverboat to Leicester Square where we ate at Misato Restaurant.
The church service was a good one about inclusion and the church’s doors being open to everyone. I took communion, as I often do, even though I’m not a ‘confirmed’ member of any church. I can’t say that I’m a believer or a non-believer since I take much of Christian religious language to have symbolic rather than literal significance.
I read that today, 24th March is Telemann’s birthday.
Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) (German pronunciation: [ˈteːləman]) was a German Baroquecomposer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family’s wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurtbefore settling in Hamburg in 1721, where he became musical director of the five main churches. While Telemann’s career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
I listen to all the pieces recommended by Clemency Burton-Hill but only share those that I find particularly appealing.